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“My work is centered upon themes of the crossroads:  a focal point/threshold of challenge and transformation.  For the last thirty years I have been composing spaces activated as prayers: requests for guidance, conscious statements of intent, and thanksgiving.  For me, to speak from one's own experience is to empower one's self-creation. Memory, observation, and imagination are resources that I draw upon: images emerge from within the day to day.  My process involves marking materials and spaces with time spent: working, writing, and speaking through the voices that form and inform me.  I bind layered narrative passages together with functional and symbolic references to personal, and cultural history.  I am working in a sculptural format that integrates the dramatic presentation of a stage set, with the oral tradition of storytelling, while consciously focusing upon private spaces that sometimes exist in the absence of a performer.

To speak from one’s own experience is to empower one’s self-creation.
— J.C.
 

I carefully select materials that function as witnesses: recovered old growth wood, unprocessed bees wax, stone, reclaimed fabric; and call upon them as a sentient witness and reminder of the resilience of those who came before me.


 

Johnny Coleman is an interdisciplinary artist and educator. His sculptural work and sound installations are composed as intentional gestures in homage and prayer. He holds the Young Hunter Professorship of Art and Africana Studies at Oberlin College. 

RECENT EXHIBITIONS & INSTALLATIONS

2021   Constellations As Yet Unnamed,
New Histories, New Futures Exhibition,
Cleveland Museum of Art, Transformer Station. June
2021   And The Presence Of Light,
Weston Gallery, Cincinnati, OH. Jan,
2020    In Celebration of Toni Morrison: A Gesture of Love and Reflection (conceived, composed, and organized the day-long event: live streamed to the world). Wurtzel Theater, Oberlin College, Oberlin, OH. Feb.
2019    Black Bird (For A Brown Baby Boy), Curated Storefront, Law Building Lobby, Akron, OH. Aug.
SPACES SWAP Artist In Residence Program, SPACES Gallery, Jan.
Crossing The River (For Lee Howard Dobbins), SPACES Galley, Jan.
2018    Front International Triennial Artists In Residence Program: Madison Arts Campus, Glenville, OH. Oct., 2017 through July, 2018
Upon Reflection, MOCA Cleveland, Cleveland, OH. July
Reflections From Here, St. Mark’s Episcopal Church, Glenville, OH. July, 2018. Front International Triennial: An American City
2016    Poem For Brother Yusef, N'Namdi Center for Contemporary Art, Detroit, MI.
2015    Well Spring At Newport (For Catherine and Levi Coffin) Commissioned project. Fort Wayne Museum of Art.
2013    Flight: Requiem For Lee Howard Dobbins, Fort Wayne Museum of Art.
2012    Procession: Song of the Underground Railroad, Sculpture Center, Cleveland, OH.
Zygote Artist In Residence Exhibition:  Zygote Press, Cleveland, OH.
2011    The Immortal Life of Henrietta Lacks: A Response, Mountain View College. Dallas, TX.
2010   In The Tradition: Original Ancestors, Kohl Building, Oberlin College, Installed.
2007   In A Silent Way, Storage Space Project, SPACES Gallery, Cleveland, OH.

GRANTS & AWARDS

2015     OAC Individual Artist's Grant
2007    Research and Development Grant:  Oberlin College
2005    Research and Development Grant:  Oberlin College
2004    OAC Individual Artist's Grant
2004    Research and Development Grant:  Oberlin College
2003     CLEVELAND ARTS PRIZE: Visual Arts
2001     Research and Development Grant:  Oberlin College
1999      Research and Development Grant:  Oberlin College
1997      Outstanding Alumnus of the Year:  OTIS INSTITUTE OF ART AND DESIGN
1996      OAC Individual Artists Grant
1995      OAC Project Grant:  Produced compact disc of Crossroads sound elements
1994      NEA Projects Grant:  SUSHI Performance and Visual Arts (sponsoring institution)
1994      Research and Development Grant:  Oberlin College
1992      ART MATTERS Grant
1991      Russell Foundation Grant

PUBLISHED WORK

1998    Winged Evocations And Albert Chong, essay included within catalogue published by the Allen Memorial Museum, Oberlin College
1999     Song For Ayo, WhiteWalls Magazine:  Crafting History, Issue 41 (fall/winter)
2000    Landscapes Of The Mind, (essay), Space, Site, Intervention:  Situating Installation Art  Edited by Erika Suderberg,  University Of Minnesota Press

EDUCATION

M.F.A., University of California at San Diego
B.F.A., Otis Art Institute of the Parson’s School of Design